Est 1923
Wratislavia Cantans marks its 60th anniversary with the question ‘Paradise Lost [?]’ – ten days of music, premieres, and philosophical reflection on humanity’s capacity for both ruin and redemption
A look back at the winning recordings of the 1980 Gramophone Classical Music Awards. featuring Charles Mackerras, Trevor Pinnock, Bernard Haitink and Krystian Zimerman
The 1979 Gramophone Awards recognised recordings from the Beaux Arts Trio, Maurizio Pollini, Teresa Stratas, Elisabeth Söderström and André Previn
Looking back at the winning recordings of the 1978 Gramophone Awards, featuring Janet Baker, Simon Rattle, Alfred Brendel, Plácido Domingo and more
From biblical floods and medieval sieges to a peasant girl wandering the hills of Northern France with a goat, Opera Rara's Artistic Director Carlo Rizzi shines a spotlight on lesser-known works by 19th and 20th century operatic masters
Mark Pullinger meets Opera Rara’s Henry Little and Roger Parker to discover why they’ve studio-recorded a rare version of the Verdi, and hears from two of the young singers involved
Vivaldi’s Gloria, RV589, has long been a favourite of choral societies and a fixture on recordings. Lindsay Kemp traces the work’s re-emergence following two centuries of neglect
Charlotte Gardner explores a range of web-based concerts
Changing loudspeakers will always alter the sound of your hi-fi system, but you can often achieve as much by optimising the set-up of the speakers you already have
With Amsterdam’s Mahler Festival 2025 coming up, James Jolly reports from the Concertgebouw, and finds out about the city’s long association with the composer
Andrew Mellor directs our attention towards one of Scandinavia’s most stringent and spiritual minimalists
In the latest guide to a classical record label, Tim Parry considers a Belgian company with a strong sense of identity
Raphaël Pichon shares with Mark Seow his vision of a work both shocking and beautiful: Bach’s Mass in B minor
In our latest introduction to the history and recordings of a less familiar work, David Threasher explores a choral gem that remains off many people’s radar: Michael Haydn's Requiem in C minor
Midway through a week recording Tosca in Rome for DG, Jonathan Tetelman takes time out to tell Martin Cullingford about the experience, his past, his plans – and why recordings are so important
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