Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Nathan Granner is an American singer in his 40s who has made a career, to quote his website, as ‘a...
Reviewed by Richard Lawrence in issue: 12/2024
Joan of Arc haunts the opera repertoire – an ideal opera heroine who inspired composers from Verdi to Tchaikovsky to...
Reviewed by David Patrick Stearns in issue: 12/2024
The special appeal to 20th-century opera composers of early 19th-century texts by Georg Büchner was famously established by Alban Berg,...
Reviewed by Arnold Whittall in issue: 12/2024
The opening salvo in Gluck’s conquest of Paris, Iphigénie en Aulide scored a triumph on its premiere in April 1774...
Reviewed by Richard Wigmore in issue: 12/2024
Biblical flooding is as old as the ark, but there are contemporary resonances to the story of Noah. During recent...
Reviewed by Mark Pullinger in issue: 12/2024
Giulio Caccini was at the epicentre of Florentine musical innovations: extravagant intermedi between the acts of plays produced to celebrate...
Reviewed by David Vickers in issue: 12/2024
You might think Dowland, Cage and Sting strange bedfellows but a common thread of intimacy and concise expression in performance...
Reviewed by Edward Breen in issue: 12/2024
In the mid-1950s a Cambridge undergraduate asked his professor why William Walton had never produced a successor to the great...
Reviewed by Geraint Lewis in issue: 12/2024
Alessandro Stradella’s life reads like a modern-day novel by Donna Leon, since his brief biography includes fleeing from matchmaking troubles...
Reviewed by Edward Breen in issue: 12/2024
Schütz’s Weihnachtshistorie was probably first performed on Christmas Day 1660 at the Dresden court chapel, but when it was published...
Reviewed by David Vickers in issue: 12/2024
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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